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Early in his career, in 1970, Whitten experienced his breakthrough moment: when he lifted a thick slab of paint off its support, he realized he could experiment within the physical, dimensional space of the paint itself. Approaching abstraction as scientist and mystic, Whitten probed the expressive and material possibilities of painting. He constantly changed styles, developed new methods and took up new subject matter, but it is precisely this spirit of curious inquiry that unites his relentlessly experimental career.\u003cbr\u003e\u003ci\u003eNotes from the Woodshed\u003c\/i\u003e collects the artist's notes from his work in the studio alongside selected interviews and texts. Edited by Katy Siegel, one of Whitten's long-standing champions, this volume offers an intimate look at the artist in his element: the studio. Now in its second edition, this publication is the definitive resource on Whitten's writings, presenting a fully transcribed collection of the artist's handwritten logs. 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