{"title":"Art--Museum Studies","description":null,"products":[{"product_id":"all-the-beauty-in-the-world-the-metropolitan-museum-of-art-and-me","title":"All the Beauty in the World: The Metropolitan Museum of Art and Me","description":"\u003cb\u003e\u003ci\u003eNew York Times\u003c\/i\u003e bestseller\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eNamed one of the best books of the year by the New York Public Library, the \u003ci\u003eFinancial Times\u003c\/i\u003e, the \u003ci\u003eNew York Post\u003c\/i\u003e, \u003ci\u003eBook Riot\u003c\/i\u003e, and \u003ci\u003eThe Sunday Times\u003c\/i\u003e (London).\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eAn \"exquisite\" (\u003ci\u003eThe Washington Post\u003c\/i\u003e) \"hauntingly beautiful\" (Associated Press) portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eMillions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They're the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamourous fledgling career at \u003ci\u003eThe New Yorker\u003c\/i\u003e, Patrick Bringley never thought that he'd be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit \u003ci\u003eThe New Yorker\u003c\/i\u003e and sought solace in the most beautiful place he knew. \u003cp\u003e\u003c\/p\u003e To his surprise and your delight, this temporary refuge becomes Bringley's home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards--a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. \u003cp\u003e\u003c\/p\u003e In the tradition of classic workplace memoirs like \u003ci\u003eLab Girl\u003c\/i\u003e and \u003ci\u003eWorking Stiff\u003c\/i\u003e, \u003ci\u003eAll the Beauty in the World\u003c\/i\u003e is an \"empathic\" (\u003ci\u003eThe New York Times Book Review\u003c\/i\u003e), \"moving\" (NPR), \"consoling, and beautiful\" (\u003ci\u003eThe Guardian\u003c\/i\u003e) portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.\u003cdiv style=\"display:none\"\u003eISBN-10: 1982163305\u003cbr\u003eISBN-13: 9781982163303\u003cbr\u003eAuthor: Bringley, Patrick, N\/A, N\/A\u003cbr\u003ePublisher: Simon \u0026amp; Schuster\u003cbr\u003e\n\u003c\/div\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"HardCover (2023)","offer_id":45314545320133,"sku":"9781982163303","price":37.69,"currency_code":"USD","in_stock":true},{"title":"Paperback (2024)","offer_id":45314545352901,"sku":"9781982163310","price":24.69,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0708\/6414\/2533\/files\/9781982163303.jpg?v=1762784431"},{"product_id":"footnotes-from-the-most-fascinating-museums-stories-and-memorable-moments-from-people-who-love-museums","title":"Footnotes from the Most Fascinating Museums: Stories and Memorable Moments from People Who Love Museums","description":"\u003cb\u003eA beautiful, smart, entertaining new art book from \u003ci\u003eNew Yorker\u003c\/i\u003e cartoonist and author Bob Eckstein that is a love letter to museums and museum-goers, filled with lush and whimsical illustrations paired with stories and anecdotes from curators, museum workers, museum visitors, and more.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eFootnotes from the Most Fascinating Museums\u003c\/i\u003e is a collection of the greatest and most beloved museums of North America, illustrated and explored through fun and fascinating anecdotes. Curated by Bob Eckstein, author of the\u003ci\u003e New York Times\u003c\/i\u003e bestseller \u003ci\u003eFootnotes from the World's Greatest Bookstores\u003c\/i\u003e, this delightful twist on an art history book shows these institutes in a way not seen before, illustrated in a lush and idealized style. \u003cp\u003e\u003c\/p\u003e The 75+ museums featured include the biggest and boldest names (MoMA, the Whitney) and the more offbeat (Museum of Bad Art, the Museum of Jurassic Technology). They span the US, Canada, and Mexico and include those specializing in art, natural history, academia and science, and more. The 155 original pieces of artwork illustrate a story about the museum or showcase a particular work of art in its collection. \u003cp\u003e\u003c\/p\u003e Featured museums include: \u003cul\u003e\n\u003cli\u003e The Field Museum, Chicago \u003c\/li\u003e\n\u003cli\u003e The Solomon R. Guggenheim Museum, New York \u003c\/li\u003e\n\u003cli\u003e The Museum of Modern Art, New York \u003c\/li\u003e\n\u003cli\u003e The Norman Rockwell Museum, Stockbridge, MA \u003c\/li\u003e\n\u003cli\u003e The National Portrait Gallery, Washington DC \u003c\/li\u003e\n\u003cli\u003e La Brea Tar Pits, Los Angeles \u003c\/li\u003e\n\u003cli\u003e Isabella Stewart Gardner Museum, Boston \u003c\/li\u003e\n\u003cli\u003e Museum of Motherhood, St. Petersburg, Florida \u003c\/li\u003e\n\u003cli\u003e Chapultepec Castle, Mexico City, Mexico \u003c\/li\u003e\n\u003cli\u003e American Museum of Natural History, New York \u003c\/li\u003e\n\u003cli\u003e And many more \u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e A perfect gift for artists, art lovers, students, travelers, and adventurers of all ages, this collection of funny, heartfelt, and quirky profiles is a thought-provoking, inspiring celebration of museums, why we go to them, and why we love them so much.\u003cdiv style=\"display:none\"\u003eISBN-10: 1797224395\u003cbr\u003eISBN-13: 9781797224398\u003cbr\u003eAuthor: Eckstein, Bob, N\/A, N\/A\u003cbr\u003ePublisher: Princeton Architectural Press\u003cbr\u003e\n\u003c\/div\u003e","brand":"Princeton Architectural Press","offers":[{"title":"HardCover (May 2024)","offer_id":45657970475205,"sku":"9781797224398","price":35.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0708\/6414\/2533\/files\/9781797224398.jpg?v=1768896545"},{"product_id":"rethinking-american-art-collectors-critics-and-the-changing-canon","title":"Rethinking American Art: Collectors, Critics, and the Changing Canon","description":"\u003cp\u003e\u003cb\u003e\"For all those who want to understand American art and the art world, written by the best person to tell the story.\"--Dr. Kathleen Foster, Curator, Philadelphia Museum of Art\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eA sweeping history of changing critical standards and values in American art across 200 years. Art lovers, perplexed why their favorite artists are no longer on the walls of their local museums, will understand why change is constant. All art lovers will find a cautionary lesson about the unpredictable future.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eEach generation of experts believes its own taste is the last word. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eAs the author writes, \"People are inclined to view past changes in taste as unique misjudgments that will not happen again.... How unthinking, how stupid, they think, not realizing that the pattern has been repeated again and again in the past and will be in the future. We now recognize that the process is a continual one. Each past canon was established for good reason; there are no mistakes, there is only history. Many of the favored artists of any period including our own will drop from favor, something that art dealers never tell their clients, or museum curators their boards.\" Stebbins describes the taste and outlook of each generation through his extensive research on the critics, museum activities, and the art market of each era. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eAn entire section of the book is devoted to some of the most important collectors of the 20th century. Rejecting the typical curator's role as a flatterer of collectors, Stebbins examines these collectors in depth for the first time, outlining their successes and failures and their quirky personalities. He takes a hard look at the warring brothers, Sterling and Steven C. Clark; the inhibited Grenville Winthrop who left over 4,000 works to Harvard; Maxim Karolik, the gifted Ukrainian Jew who miraculously created a new canon during the Second World War; and, more recently, the enormously wealthy Alice Walton who built a new, ambitious museum of American Art in Arkansas. Of special interest is the author's explanation of the rise and fall of American Impressionism and of the role played by the New Yorkers Raymond and Margaret Horowitz in this development. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eThis important volume concludes with several chapters devoted to the aesthetic standards that came to dominate the art world in recent years. At their core is a new emphasis on diversity, and a greatly expanded effort to showcase Black and women artists. Nearly every museum with collections of American art took this direction. Stebbins describes the successes and failures of many of these museums' efforts to reinstall their collections and redefine their audiences, from the Met and the Philadelphia Museum of Art on the East Coast, to Houston and San Francisco. Most importantly, he explores the question of whether the old ideal of seeking quality in art needs to be sacrificed to the aim of diversity. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eThe author, Theodore E. Stebbins, Jr., was in the center of every development in American art collecting and exhibitions from the 1960s to well into the 2000s, as curator of American art at the Yale University Art Gallery, the Museum of Fine Arts, Boston, and the Harvard Art Museum. He is the author of twenty-five books on nearly every important American painter starting with Copley. Stebbins is uniquely able to put recent shifts in the canon within the context of regular, generational shifts in taste that tell us much about the value that is placed on art--including who decides what matters and why. In this book, he presents a new way of looking at American art, and he doesn't pull his punches. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eProfusely illustrated, deeply informed, fascinating and controversial, \u003ci\u003e\u003cb\u003eRethinking American Art\u003c\/b\u003e\u003c\/i\u003e is indispensable for those seeking an understanding of American art and art collecting.\u003cbr\u003e\u003cdiv style=\"display:none\"\u003eISBN-10: 156792834X\u003cbr\u003eISBN-13: 9781567928341\u003cbr\u003eAuthor: Stebbins Jr, Theodore E., N\/A, N\/A\u003cbr\u003ePublisher: David R. Godine Publisher\u003cbr\u003e\n\u003c\/div\u003e","brand":"David R. 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The rest is history, told in rich detail in \u003ci\u003eSmithson's Gamble.\u003c\/i\u003e This book reveals how, as it defined a role rooted in curiosity and exploration, the Smithsonian helped to shape the nation's developing identity. \u003cp\u003e\u003c\/p\u003eThe Smithsonian evolved from a small, narrowly focused organization into an institution leading the way in fields from astrophysics to zoology. Smithsonian researchers, and the hundreds of citizen scientists who they recruited, created a collection that documented the natural and human history of a continent. The American conservation movement and a national weather service are rooted at the Smithsonian. \u003ci\u003eSmithson's Gamble\u003c\/i\u003e is filled with fascinating characters, twists and turns, and moments of triumph and tragedy, complete with political machinations, a bit of backstabbing, accusations of murder, and the occasional scandal. \u003cp\u003e\u003c\/p\u003eTom D. Crouch, a Smithsonian veteran of almost 45 years, paints a robust picture of a unique American establishment and its lasting legacies. He chronicles the trials and errors of an increasingly complex institution and all the incredible joys and innovations resulting from Smithson's gamble.\u003cdiv style=\"display:none\"\u003eISBN-10: 1588347915\u003cbr\u003eISBN-13: 9781588347916\u003cbr\u003eAuthor: Crouch, Tom D.\u003cbr\u003ePublisher: Smithsonian Books\u003cbr\u003e\n\u003c\/div\u003e","brand":"Smithsonian Books","offers":[{"title":"Hardcover (Apr 2025)","offer_id":46080702709957,"sku":"9781588347916","price":51.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0708\/6414\/2533\/files\/9781588347916.jpg?v=1776039490"},{"product_id":"the-grave-robber-the-biggest-stolen-artifacts-case-in-fbi-history-and-the-bureaus-quest-to-set-things-right","title":"The Grave Robber: The Biggest Stolen Artifacts Case in FBI History and the Bureau's Quest to Set Things Right","description":"\u003cp\u003e\u003cstrong\u003eThe unbelievable true story of how one man stole tens of thousands of priceless artifacts and human remains from around the world--and the FBI's massive undertaking to set things right.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eThe Grave Robber\u003c\/em\u003e, Tim Carpenter, former FBI Lead Investigator on the Art Crime Team, recounts one of the most extraordinary and unsettling cases in the history of art theft. Over the course of five decades, a lone graverobber accumulated an illicit trove of over 42,000 artifacts from cultures across the globe, including Native American, Haitian, Chinese, and others. The stolen items included nearly 500 ancestral remains, carefully looted from sacred burial sites and cultural heritage locations. Carpenter's team, driven by an unwavering commitment to justice, embarks on a harrowing journey to track down this elusive criminal and uncover the full scope of the theft. What they find is nothing short of staggering: an illegal collection of immense historical and cultural significance, hidden away in a Midwestern home.\u003c\/p\u003e\u003cp\u003ePart true crime narrative, part procedural, \u003cem\u003eThe Grave Robber\u003c\/em\u003e offers a gripping, behind-the-scenes look at the meticulous work involved in tracking down one of the most prolific art thieves in history. Carpenter takes readers inside the FBI's groundbreaking investigation, detailing the complex challenges of recovering stolen cultural artifacts and the legal and moral dilemmas of repatriating them to their rightful communities. Along the way, the Bureau's efforts to confront these crimes evolve, as they come to terms with the deep historical wounds caused by such looting--especially the desecration of Native American graves and ancestral sites. With rare access to both the investigation and the impacted communities, Carpenter's narrative sheds light on the lengths the FBI and tribal representatives go to in their pursuit of justice.\u003c\/p\u003e\u003cp\u003eAs the case progresses, the narrative expands from a tense pursuit of a criminal to a larger reckoning with history and cultural heritage. The repatriation of these sacred objects and remains to their rightful owners becomes an act of restoration--not just of physical artifacts, but of dignity and respect for the communities whose ancestors were so violently wronged. The story of \u003cem\u003eThe Grave Robber\u003c\/em\u003e is one of redemption and transformation: for the FBI, which redefined its approach to cultural crimes, and for the tribes and cultures who finally see justice done. This riveting account of a stolen past and the quest to make it right reads like a thriller, but it is ultimately a story of healing, responsibility, and the importance of preserving history for future generations.\u003c\/p\u003e\u003cdiv style=\"display:none\"\u003eISBN-10: 1400248639\u003cbr\u003eISBN-13: 9781400248636\u003cbr\u003eAuthor: Carpenter, Tim\u003cbr\u003ePublisher: Harper Horizon\u003cbr\u003e\n\u003c\/div\u003e","brand":"Harper Horizon","offers":[{"title":"Hardcover (Oct 2025)","offer_id":46080823525573,"sku":"9781400248636","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0708\/6414\/2533\/files\/9781400248636.jpg?v=1776040580"},{"product_id":"life-in-progress","title":"Life in Progress","description":"\u003cb\u003eThe intimate, inspiring memoir of a \"curator extraordinaire\" (\u003ci\u003eThe Guardian)\u003c\/i\u003e--part unputdownable coming-of-age story, part insider's tour of the contemporary art world, part user's manual on how to live a life driven by curiosity, conversation, and coincidence \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\"A few years ago, \u003ci\u003eArtReview\u003c\/i\u003e named him the most powerful figure in the field, but Obrist . . . seems less to stand atop the art world than to race around, up, over, and through it\u003ci\u003e.\u003c\/i\u003e\"\u003ci\u003e--The New Yorker\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eWhen Hans Ulrich Obrist was six years old, he was knocked down by a speeding car as he was crossing the street. The weeks he spent recovering in the hospital instilled a sense of urgency in him--and opened his eyes to the healing powers of art. By 1985, when he was sixteen, he was making pilgrimages to artists' studios, traveling across Europe on night trains. Before long, he was visiting hundreds each year. \u003cp\u003e\u003c\/p\u003eToday recognized as one of the most influential figures in the global art world, Obrist is famed for his \"terrifying work ethic\" (\u003ci\u003eFinancial Times\u003c\/i\u003e), having curated more than 350 exhibitions, recorded more than 2,000 hours of interviews with artists, and mounted 24-hour \"marathon\" cultural events at London's Serpentine Galleries. \u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eLife in Progress\u003c\/i\u003e, Obrist takes us through the formative experiences that made him into the art world legend he is today. As an inquisitive child in a small Swiss town in the 1970s, he found refuge in books; as a university student, he curated his first-ever exhibition--hosted in his kitchen and attended by no more than thirty people--and sent 250 postcards to strangers across the art world when he was stranded by an avalanche. Later, when he took over the Serpentine Galleries in London, he pushed the boundaries of what--and \u003ci\u003ewho--\u003c\/i\u003emuseums are for, by bringing art outside the four walls of the gallery. \u003cp\u003e\u003c\/p\u003eFeaturing encounters with giants of the art scene from Gerhard Richter and Louise Bourgeois to Etel Adnan and Agnes Varda, \u003ci\u003eLife in Progress\u003c\/i\u003e is an enchanting and deeply personal ode to art, the people who make it, and its capacity to change lives.\u003cdiv style=\"display:none\"\u003eISBN-13: 9798217089437\u003cbr\u003eAuthor: Obrist, Hans Ulrich, Watson, David\u003cbr\u003ePublisher: Crown Publishing Group (NY)\u003cbr\u003e\n\u003c\/div\u003e","brand":"Crown Publishing Group (NY)","offers":[{"title":"Hardcover (Apr 2026)","offer_id":46099828703429,"sku":"9798217089437","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0708\/6414\/2533\/files\/9798217089437.jpg?v=1776645690"},{"product_id":"exhibiting-for-multiple-senses-art-and-curating-for-sensory-diverse-bodies","title":"Exhibiting for Multiple Senses: Art and Curating for Sensory-Diverse Bodies","description":"\u003cp\u003e\u003cb\u003eA groundbreaking study of the practices and implications of multisensory art and curation\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePublished with PLURAL Series.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eArtists and curators have long moved beyond the primacy of the visual in art exhibitions, venturing into other senses. This book traces this shift, gathering curatorial theory, museum research, disability activism and crip theory to demonstrate resonances between curatorial theory and practice and between disability, neurodivergence and crip art activism. \u003ci\u003eExhibiting for Multiple Senses\u003c\/i\u003e shares famous and lesser-known examples of experimental exhibitions as well as artistic practices linked to exhibitions. By mobilizing the senses of touch, smell, taste and hearing, as well as applications of multimodal technologies and insights from neuroscience, these examples explore abilities and possibilities of the sensory apparatus that is the human body.\u003cbr\u003e\u003cb\u003eContributors include: \u003c\/b\u003e David Bobier, Luca M. Damiani, Stephanie Farmer, David Gissen, Adi Hollander, Hettie James, Georgina Kleege, Lilian Korner, Elke Krasny, Renata Pekowska, Caro Verbeek.\u003cdiv style=\"display:none\"\u003eISBN-10: 9493246485\u003cbr\u003eISBN-13: 9789493246485\u003cbr\u003eAuthor: Fotiadi, Eva, Schröder, Lotte Lara\u003cbr\u003ePublisher: Valiz\u003cbr\u003e\n\u003c\/div\u003e","brand":"Valiz","offers":[{"title":"Paperback (Jan 2026)","offer_id":46100307738821,"sku":"9789493246485","price":45.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0708\/6414\/2533\/files\/9789493246485.jpg?v=1776648875"}],"url":"https:\/\/www.inveni.store\/collections\/art-museum-studies.oembed","provider":"Inveni","version":"1.0","type":"link"}