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There's a new \u003ci\u003ePower Broker\u003c\/i\u003e in town.\"\u003ci\u003e--The New York Times\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003e\"Feldman depicts a lost world, at times a lost paradise, when New York, Hollywood and the literary life were at their most glamorous and privileged.\"--\u003ci\u003eThe Washington Post\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eAt midcentury, everyone knew Bennett Cerf: witty, beloved, middle-aged panelist on \u003ci\u003eWhat's My Line?\u003c\/i\u003e whom TV brought into America's homes each week. But they didn't know that the handsome, driven, paradoxical young man of the 1920s had vowed to become a great publisher and, a decade later, was. 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