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In this book, you will find sample narrations and many resources to help you use narration with your students in any setting. 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The diary circulates as hidden knowledge amongst high ranking masons in the lodges of Athens. In 1972, professor Papachatzis, despite an intense dispute, decides to publish Dienach's diary in Greek.\u003c\/p\u003e\u003cp\u003ePaul Dienach was not an author, poet, or professional writer. Rather, he was an ordinary man who kept a journal, never with the expectation that it would be published.\u003c\/p\u003e\u003cp\u003eThis unique and controversial book, a universal legacy, is now carefully edited, translated and available to everyone.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThis is the history of our future! 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This is exactly where many aspiring writers fail--they strive for beautiful metaphors, authentic dialogue, and interesting characters, losing sight of the one thing that every engaging story must do: ignite the brain's hardwired desire to learn what happens next. When writers tap into the evolutionary purpose of story and electrify our curiosity, it triggers a delicious dopamine rush that tells us to pay attention. Without it, even the most perfect prose won't hold anyone's interest. \u003cp\u003e\u003c\/p\u003eBacked by recent breakthroughs in neuroscience as well as examples from novels, screenplays, and short stories, \u003ci\u003eWired for Story\u003c\/i\u003e offers a revolutionary look at story as the brain experiences it. 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Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive.\" ―Maris Kreizman, \u003ci\u003eVulture\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eA \u003ci\u003ePublishers Weekly\u003c\/i\u003e Best Book of 2019 A \u003ci\u003ePoets \u0026amp; Writers\u003c\/i\u003e Best Books for Writers\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eAs Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: \"For centuries there's been one path through fiction we're most likely to travel― one we're actually told to follow―and that's the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. 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