{"title":"Music--Genres \u0026 Styles--Hispanic \u0026 Latino","description":null,"products":[{"product_id":"perreo-una-revolucion-twerk-a-revolution","title":"Perreo. Una Revolución \/ Twerk. a Revolution","description":"\u003cb\u003eCazzu es una de las traperas más importantes de Latinoamérica. No es casual que la llamen La Jefa. No es casual que su perreo moleste a muchos, interpele a tantas, y no deje indiferente a nadie.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eDurante años, Cazzu se enfrentó a una pregunta: \" Cómo se siente tener éxito en un género musical tan machista?\". Y como le ocurre a casi cualquier mujer virtuosa y con notoriedad, le pidieron que diera explicaciones. Pero  por qué se lo preguntaban más a ella que a los hombres? Y, sobre todo,  es realmente machista el reggaetón? \u003cp\u003e\u003c\/p\u003eEste libro nació como respuesta y como exploración a esa dualidad que anida en el género: letras que sexualizan a las mujeres, pero también mujeres que expresan su deseo, saben lo que quieren, cómo y cuándo. Las reggaetoneras, dice Cazzu, son lamentablemente una utopía: ejercen su derecho al sexo sin correr peligro y sin preocuparse por la condena social. \u003cp\u003e\u003c\/p\u003eEn \u003ci\u003ePerreo, una revolución\u003c\/i\u003e, repasa su recorrido, una trayectoria marcada por la superación de innumerables desafíos y traiciones. Armada de un gran talento y una fuerza de trabajo incansable, desde muy joven construyó una carrera notable y atrevida que la catapultó a los grandes escenarios del mundo, consolidándose como una de las traperas más importantes de Latinoamérica. \u003cp\u003e\u003c\/p\u003eLa definen la delicadeza y la potencia, la ternura y la rebeldía. No es casual que la llamen La Jefa. La voz de Cazzu es única, sí, pero es el grito contenido de muchas que no tienen voz. \u003cp\u003e\u003c\/p\u003e«El reggaetón incomoda, despierta la cólera en los más conservadores, porque propone otra mujer, una perra desinhibida que controla su cuerpo, sus decisiones y su sexualidad, y que con su actitud ridiculiza cualquier opinión ofensiva . \u003cp\u003e\u003c\/p\u003e\u003cb\u003eENGLISH DESCRIPTION\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eCazzu is one of the most important trappers in Latin America. It is no coincidence she is called La Jefa. It is no coincidence her twerk bothers many, challenges many, and leaves no one indifferent. \u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eFor years, Cazzu has faced one question: \"How does it feel to succeed in such a misogynistic musical genre?\" And as it happens to almost any famous virtuosa, she was asked to explain. But why was she asked more often than men? And above all, is reggaeton really misogynistic? This book was born as an answer to and an exploration of this duality that nests inside the genre: lyrics that sexualize women, but also women who express their desire, who know what they want, how and when. \u003cp\u003e\u003c\/p\u003eFemale reggaeton artists, says Cazzu, are unfortunately utopian: they exercise their right to have sex free of danger and without worrying about social stigma. In \u003ci\u003eTwerk. A Revolution\u003c\/i\u003e, she goes over her journey, a career marked by surmounting several challenges and betrayals. \u003cp\u003e\u003c\/p\u003eArmed with great talent and a relentless strength for work, from a very young age she built a remarkable and bold career that helped catapult her to the greatest stages in the world, establishing herself as one of the most important trappers in Latin America. She is defined by gentleness and power, sweetness and rebellion. It is no coincidence she is called La Jefa. Cazzu's voice is unique, yes, but she is the strangled cry of many women who have no voice. \u003cp\u003e\u003c\/p\u003e\"Reggaeton makes people uncomfortable, it awakens the wrath of the most conservative because it puts forward a different kind of woman, a disinhibited bitch in control of her body, her choices, and her sexuality, someone who ridicules any offensive opinion with her attitude.\"\u003cdiv style=\"display:none\"\u003eISBN-13: 9798890984876\u003cbr\u003eAuthor: Cazzu, N\/A, N\/A\u003cbr\u003ePublisher: Reservoir Books\u003cbr\u003e\n\u003c\/div\u003e","brand":"Reservoir Books","offers":[{"title":"Paperback (Aug 2025)","offer_id":45659770683589,"sku":"9798890984876","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0708\/6414\/2533\/files\/9798890984876.jpg?v=1768914150"},{"product_id":"and-the-roots-of-rhythm-remain","title":"And the Roots of Rhythm Remain","description":"\u003cp\u003e\u003cb\u003eFrom the legendary producer of Nick Drake, R.E.M., Toots and the Maytals, and Pink Floyd and author of \u003ci\u003eWhite Bicycles: Making Music in the 1960s\u003c\/i\u003e comes a riveting, world-spanning tour de force illuminating the artists, histories, controversies, and collaborations that shaped global music.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003ePaul Simon told Joe Boyd that when he first heard the accordion flourish that would open his multi-platinum album \u003ci\u003eGraceland\u003c\/i\u003e, it seemed to proclaim, \"You haven't heard \u003ci\u003ethis\u003c\/i\u003e before!\" Yet the 1980s \"world music\" boom that Simon's album helped usher in had roots that extended back through the decades and across continents: tango on the eve of World War I, Latin dance across the '30s, '40s and '50s, reggae in the '70s, pre-War samba and pre-Beatles bossa nova, Eastern European ensembles filling capitalist concert halls during the Cold War, Indian ragas changing rock and roll in the 1960s, the folk music-inspired classical composers of the 19th and 20th centuries. \u003c\/p\u003e\u003cp\u003eIn this sweeping history compiled from more than a decade of travel, research, interviews, and deep listening, Boyd sets out to explore centuries of fascinating backstories to these sounds. He shows how personalities, events, and politics in places such as Havana, Lagos, Budapest, Kingston, and Rio are as colorful and momentous as anything that took place in New Orleans, Harlem, Laurel Canyon, or Liverpool. And, moreover, how jazz, rhythm and blues, and rock 'n' roll would never have happened if it weren't for the notes and rhythms emanating from over the horizon. The one-of-a-kind result is \u003ci\u003eAnd the Roots of Rhythm Remain\u003c\/i\u003e: a glorious, symphonic celebration of the music that shapes our world.\u003cbr\u003e\u003c\/p\u003e\u003cdiv style=\"display:none\"\u003eISBN-13: 9798988670056\u003cbr\u003eAuthor: Boyd, Joe\u003cbr\u003ePublisher: ZE Books\u003cbr\u003e\n\u003c\/div\u003e","brand":"ZE Books","offers":[{"title":"Paperback (Apr 2025)","offer_id":46080091029701,"sku":"9798988670056","price":33.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0708\/6414\/2533\/files\/9798988670056.jpg?v=1776034435"}],"url":"https:\/\/www.inveni.store\/collections\/music-genres-styles-hispanic-latino.oembed","provider":"Inveni","version":"1.0","type":"link"}