{"title":"Photography--Subjects \u0026 Themes--Historical","description":null,"products":[{"product_id":"beyond-the-dark-veil-post-mortem-mourning-photography-from-the-thanatos-archive","title":"Beyond the Dark Veil: Post Mortem \u0026 Mourning Photography from the Thanatos Archive","description":"Beyond the Dark Veil: Post Mortem and Mourning Photography from The Thanatos Archive is a compilation of more than 120 extraordinary and haunting photographs and related ephemera documenting the practice of death and mourning photography in the Victorian Era and early twentieth century. Supplemented with original newspaper articles, clippings, funeral notices, memorial ephemera and more, the collection will take us on a journey through a fascinating, moving, and melancholically beautiful part of our past. The images in Beyond the Dark Veil speak to us: they speak of love, loss, lives cut short, brave final hours, shattered families, and the depths of the human spirit. \u003cbr\u003e\u003cbr\u003eContains 194 images of hand-colored photographs, albumen prints, ambrotypes, cabinet cards, carte de viste, daguerreotypes, gelatin silver prints, opaltypes, real photo postcards, stereoviews, tintypes, and supplementary articles and related ephemera. \u003cbr\u003e\u003cbr\u003eContributors include: Adam Arenson I, Jacqueline Ann Bunge Barger, Alex Jackson, Bess Lovejoy, Marion Peck, Joanna Roche, and Joe Smoke. \u003cbr\u003e\u003cbr\u003eABOUT THE ARCHIVE: \u003cbr\u003eLocated in Woodinville, Washington, The Thanatos Archive houses an extensive collection of early post-mortem, memorial, and mourning photographs dating as far back as the 1840s. The online version of the archive, hosted at Thanatos.net since 2002, offers a searchable database of over 2,300 scanned images, with scans of new acquisitions being added on a regular basis. 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It's not a museum--it's a place of work. The walls reverberate with timeless music. Sopranos soar up to the high notes as violin bows draw tunes from strings. Someone plays a piano so busily they must have twelve fingers. Dancers' feet thud against wooden floors. A tuba burps out \"Ride of the Valkyries\" as the doors of the manually operated elevators provide percussive slams. And more quietly, behind closed doors, painters paint, writers write, and luthiers shave soft ribbons from billets of spruce.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eChicago's Fine Arts Building\u003c\/i\u003e, celebrated writer and Fine Arts Building tenant Keir Graff takes readers behind the scenes of this cultural hub. Initially conceived as a space for artists' studios, a home for the city's working artists, the building was an immediate success, but the Great Depression brought a long, slow decline to the building. Graff explores the building's history, its revitalization, and its cultural place in the city of Chicago. Featuring interviews with current tenants and access to the building's archives, including historical photos and artifacts, and a foreword by bestselling author Gillian Flynn, \u003ci\u003eChicago's Fine Arts Building\u003c\/i\u003e sheds a new light on this storied building and its long history.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOther Chicago landmarks have more stunning architecture or are more perfectly restored, but none of them has aged so well--because in the Fine Arts Building, it's the work that has been preserved. Two centuries have turned and its purpose remains the same: to provide artists and artisans space to pursue their callings, and community with other creatives, too, offering a living demonstration that something good happens when so many work so closely to each other. Which is not to say it's always been easy. 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He highlights the immense challenges they faced and the enduring impact of their establishments, showing how their spaces became vibrant hubs of Black culture, where people could gather, find joy, and be their true selves. \u003cp\u003e\u003c\/p\u003e\u003cbr\u003eThrough vivid stories and photographs, Stovall covers the entire chronology of Black hospitality, from the Royal Navy Hotel, an eighteenth-century establishment managed by a free woman of color, to significant fixtures during the Green Book era, such as the Majestic Hotel--a city unto itself--as well as the Hotel Theresa, where historical figures were known to unpack their bags. 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Since the 1800s, cameras have been in the hands of Indigenous people and they have incorporated photography into their lives as creators, patrons, and collectors. \u003cp\u003e\u003c\/p\u003e Five years ago, photographers Brian Adams and Sarah Stacke set off on a mission to assemble a groundbreaking, digital library of Indigenous photographers from the 19th century to the present. 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